Dance like nobody's watching

Janie's Friday Feature

Welcome to this week's Friday Feature Newsletter - the Janie Crow equivalent of a Sunday supplement magazine....

The sun has been shining here in North London this week (although it is still pretty chilly) and so we are all feeling like we have a bit of a spring in our steps, especially as we head into another lovely weekend!

I have quite a lot to tell you about this week, including the fact that you can now vote for your favourite motif from the recent Delft colouring in competition. You can find more information about this lower down in the email. I have also released some new patterns this week, so you might want to take a look at that information too - I have put it in the 'What's New' section.
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I was lucky enough to get one of the last 2 tickets to see a show called 'She Persisted' at Sadlers Wells on Wednesday evening. It was pretty much a spur of the moment decision to go, which was prompted by the attraction of the first of the 3 ballets, 'Broken', which was inspired by the life of Frida Kahlo. I have to admit to going along without even looking up what the other 2 ballets on the programme where, so I was really excited when I realised I was going to get to see the Rite of Spring - the music for which was composed by Stravinsky in 1913. The ballet I saw was the 1975 version danced on earth and it was pretty amazing!

I have been planning to include a piece about the Ballets Russes for ages, so it is perhaps serendipitous that the ballet on Wednesday, which was first performed by the Russian ballet company, was the push I needed to make myself settle down and write it. Because of time limitations it is not a huge piece, just the bones of it really, but I hope it will inspire you to go and take a look for more information about the spectacle of the ballets at the turn of the last Century. I think that the costume designs by Leon Bakst alone are enough to get the creative juices going..

As always, I cannot believe that yet another week has flown by and that we are on the brink of the weekend once more. Whatever you are planning to do I hope you all have a fabulous time and, as always, if you have anything you want to tell us about, please hit reply....
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'Let us read and let us dance - two amusements that will never do any harm to the world ''
- Voltaire -

The Ballets Russes

At the turn of the last Century Paris was the place to be seen - it was where all the cool people were and where all the cool things happened. I am a big fan of the city and love walking around imagining what it must have been like 100 years ago when all the excitement that surrounded new artists, dancers and musicians was at it's height.
 

The Ballets Russes came to Paris in 1909 and caused a total sensation! The ballet company were brought to Paris from Russia by impresario Serge Diaghilev who had become frustrated by the extreme conservatism in his native country and wanted to break away. In 1906 Diaghilev wowed the people of Paris with his groundbreaking Exhibition of Russian Art at the Petit Palais, which was the first major showing of Russian art in the West and so, with this success under his belt, he consolidated the people's fascination with Russia by bringing the ballet company to town...
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The Ballets Russes is widely regarded as one of the most influential companies of the 20th Century, not only because of the ground breaking choreography, but also because of all the other components that Diaghilev involved in his productions - the sets, the posters and art work, the costumes and the famous dancers, composers and influential artists and designers he employed.
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Visually, the first Ballets Russes seasons were marked by the exotic designs of the Russian-born artist Léon Bakst. His bejewelled colours, swirling Art Nouveau elements and sense of the erotic re-envisioned dance productions as total works of art and as I said further up, even his costume sketches are incredible...
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The images above are of costumes designed for the famous dancer Vaslav Nijinsky. The virtuosity and charisma of whom were such that no one who saw him perform, it was claimed, ever forgot him. He transformed himself for each role he danced and became as famous as the ballets themselves.

Trained in the Russian Imperial Ballet, he was an instant success on the Parisian stage from the Ballets Russes' first season in 1909. Audiences had not seen an equivalent male dancer for more than two decades. As a choreographer, he created unusually varied productions, whose style of movement differed radically from one another and from what the academic ballet audiences were used to seeing.
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Both Picasso and Coco Chanel got involved with the Ballet Russes too; Picasso designed stage sets and costumes in his cubist style for the performance entitled 'Parade' in 1917 and in 1924 Chanel designed the costumes for 'Le Train Bleu', a ballet that brought together a mix of tennis players, golf champions and sun bathers seeking adventure.“a ballet combining acrobatics, satire of the period, and pantomime.”  (Chanel and Her World, Edmounde Charles -Roux, p. 206) 

The V&A mounted a brilliant exhibition of the costumes and posters that detailed the stories of the Ballet Russes a few years ago and, like every exhibition of high standard I have ever been to, I so wish that I had been able to visit over and over. To see the costumes, with their incredible vibrant fabrics and the amazing attentions to detail, up close and personal was incredible and I hope that one day the opportunity to see some of the items 'in the flesh' will arise again.

I hope that my 2 minute taster piece has whetted your appetite to find out more about all the amazing personalities who were involved in what must have been the most incredible performances of the Ballets Russes. There are loads of images, facts and stories that surround the ballets on the internet and there are some really fabulous books of posters and drawings. I have one that includes the costume sketches by Leon Bakst and I really hope that one day I will be able to use some of the ideas in a design.....
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What's New?

​I am really excited to be able to show you the crochet motifs made from the coloured in motifs sent in by the 5 finalists in the recent Delft Colouring Competition. We received more than 230 entries, so choosing just 5 was pretty tough, but we are really happy with the outcome of our choices.

You can vote for your favourite by visiting my web site and following the link to the survey - it will take less than a minute for you to record your choice.

The five finalists are as follows:
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Rose Garden in Bloom - Katie Mulliner, Stoke on Trent, Staffordshire.

(The inspiration is) ‘The rose bushes we had in the garden of our childhood home – they were my Dad’s pride and joy, but he still let us pick the petals to make ‘perfume’.
Sample made in Stylecraft Bellissima DK, using 6 shades.
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Autumn Berries - Miss Jen Mitchell, Wellington, Somerset.

'Autumn is my favourite season, so I chose colours of rich hedgerow berries and fruit - blackberries, plums and apples, with complimentary greens.'
Sample made in Stylecraft Special DK using 8 shades.
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 Bejewelled - Jackie Walker, Chandlers Ford, Hampshire.

One of my favourite computer games is Bejewelled and I wanted to create a motif that radiated opulence, warmth and glamour. Being wrapped in these colours would make me feel beautiful and shine like a jewel. I felt I needed (one row) of white to represent diamonds'.
Sample made in Stylecraft Special DK using 7 shades.
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Golden Pears and Plums - Kate Wotton, Melton Mowbray, Lincs.

I also used favourite china for my inspiration – a tea towel of my Grandmother’s decorated with gold and green squares and finely painted pears and plums.’
Sample made in Stylecraft Special DK using 8 shades.
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Fiore - Debby Gould, London NW10

‘Blue is my favourite colour, so since the Delft colour scheme is already done I had to think about what I would like. I chose orchid colours as they are so vibrant and fabulous! AND – I didn’t use any blue, which was absolutely a first for me!’
Sample made in Stylecraft Special DK using 8 shades.

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As I already said, you can vote for your favourite re-coloured motif by following the link here. All you need to do is pop a tick next to your chosen colour way and submit your form.  Please note that you can only enter the competition once. Voting closes 30th April.

Winners and runners up will be chosen after a public vote.
 
The overall winner will receive a prize of £150 and a yarn colour pack to make their blanket. The 2 runner-ups will each receive a prize of £50 plus a yarn colour pack. All finalists will have their name and wording about their colour inspiration listed on the colour substitution and will be featured in Simply Crochet Magazine. The yarn colour packs for the new colour ways will subsequently be available via Stylecraft stockists. The colour substitution documents for each new colour way will also be available as free downloads via the Janie Crow web site.
 

This week I have released the patterns for my Summer Palace blanket and the wrap version - all shown above. You can find the brochure style paper patterns via Stylecraft stockists and I will have them for sale via my web shop, which will launch properly (finally!) next week, so do look out for them.

The blanket pattern includes 2 colour ways and is written for Stylecraft Life DK, but you could choose to use any DK weight of yarn so long as you achieve the same crochet tension and have the equivalent length to my yarn amounts. The wrap version is written for Baa Ram Ewe PIP Colourwork 4ply.

Many of the Janie Crow listed stockists will have the yarn and the patterns and you can find a link to them here.
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Colour Palette of the Week

​My palette of the week is another one that I stumbled across on social media this week and is one that I have (again) not had to make any big decisions about in regards to colour picking. The beautiful image comes from Our Maker Life.
 

I absolutely love the taste of rhubarb, but I do think it is a shame that it's wonderful bright pink colouring diminishes greatly when it is cooked. I love the vibrancy of this image and the contrast of the pink with the bright green.
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It's nearly the weekend!

Last Saturday I was invited to be the afternoon speaker at The East Sussex Guild of WI's annual Craft Day. As I told you, I was a little nervous as I had to speak to more than 200 WI members about my work, but I am pleased to say it went OK and that (hopefully) I was able to enlighten a few of the attendees about the delights of crochet!

This weekend is set to be a bit quieter and I have a full 2 days on the bounce at home - something that rarely happens! Andy and I made a pact at Christmas that we would spend more of our time and effort looking after our little house, so this weekend I am planning on having a good old sort out and maybe getting the paint out again.
 

I have popped an image of my newly painted hall walls above - it may have taken me almost 3 months to finish 3 coats of paint on a tiny hallway, but I am rather proud and love my new 'Jaipuresque' colour scheme.

I hope you all have a smashing weekend...
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